Keith Hopewell [Part2ism]: native from the UK. An aerosol O.G. forever transforming the boundaries of contemporary street art. Creator of the dauntingly large scale wall series [Tamara], naked babe with the gas mask ^above^ on a golden yellow emulsion, I'm sure grabbed the attention of alot of people. These street productions are hand painted using regular car spray paint.
Keith’s work challenges the perception and conception within a modern consumerist society often using religious and military imagery. The red and blue 3D lenses represent the need to see with a greater clarity and enhanced perspective. “My work is a critique of commodity as a religion and how religion and money are the principal conspirators of war”. The built up textures from the application of car spray paint are reminiscent of old black and white grained film. They say you can visually feel and smell it which enhances the sensual tones of his nude figures. The exhibition 'Artillery For Pleasure' featured large scale monochrome photo realist paintings.
Keith’s work challenges the perception and conception within a modern consumerist society often using religious and military imagery. The red and blue 3D lenses represent the need to see with a greater clarity and enhanced perspective. “My work is a critique of commodity as a religion and how religion and money are the principal conspirators of war”. The built up textures from the application of car spray paint are reminiscent of old black and white grained film. They say you can visually feel and smell it which enhances the sensual tones of his nude figures. The exhibition 'Artillery For Pleasure' featured large scale monochrome photo realist paintings.
"To be a Renegade in a rebellious culture that’s already divided by it’s own rules, traditions and internal politics is probably the biggest battle I’ll ever fight. it’s a war on all fronts because you’ve got the media & the masses that generally don’t know the real history of this art, never mind it’s fractions, derivatives and their internal aesthetics. People are fighting for acceptance on a huge number of levels from so many divisions just to produce art and then be labeled under one category that barely scratches the surface. Whatever it is that I create, it has to remain ambiguous to have any form of impact in this saturated world, that is quickly becoming desensitized to one of the most powerful art form’s of its time".
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